Daisy Aldan was an accomplished poet, publisher, translator and teacher. The Aldan papers contain manusript poems and translations by Daisy Aldan, photographs, promotional materials, biographical material, and correspondence.
This collection, although small in scope, contains a significant assortment of documentation, the sum total of which provides substantive information about Gregory Corso’s personal and creative life. It contains working manuscripts and original artwork by Corso, as well as a small collection of correspondence mostly connected to Corso as either sender, recipient or subject. It also contains a small group of books by Corso; over one hundred photographs of Corso and his family and associates; phonograph records and video cassettes by or about Corso and other Beat writers; and a few miscellaneous ephemeral materials. Highlights of the collection include eleven of Corso’s journals containing about 700 pages of hand-written entries in the from of prose, poetry, and scattered drawings, as well as three files of manuscript material, containing approximately 175 pages of a work entitled
The Michael Gizzi papers are comprised predominately of correspondence and writings by Gizzi and by others. There are also printed, graphic, and audio materials. Most of the material dates from 1985 - 1999 and the collection is representative of a broad community of poets and artists.
The papers of Russell H. Greenan include correspondence, literary manuscripts, reviews and publicity, personal materials, photographs, financial records, and legal records. The majority of the collection documents Greenan's career as an author.
The Mary Hamilton letters contain fourteen letters to or about Mary Hamilton, an actress on the British, Canadian and American stage, covering a period of two decades, from 1905 to 1926. Seven letters from George Bernard Shaw are included.
This collection consists of the literary and personal papers of the poet James Humphrey. It includes correspondence with poets, publishers, friends and family; manuscripts for poems, novels, screenplays, essays and short stories, both published and unpublished; unframed abstract artwork, photographs and scrapbooks. The audio material in these papers consists of one audiocassette, two compact discs and eight reel-to-reel tapes. The papers are dated from 1957 to 2009.
Includes correspondence, manuscripts, play scripts, film scripts, photographs, drawings, galley proofs, and ephemera of the American poet, experimental filmmaker, editor, and educator Willard Maas, dating from 1931 to 1968. Maas, who was openly bisexual and married to artist and filmmaker Marie Menken, with whom he often collaborated, is especially known for his pioneering avant-garde films, many of which explored homoerotic themes. These films, which were created from the early 1940s to the late 1960s, influenced the work of a number artists from that era, including Kenneth Anger and Andy Warhol; and they continue to garner much critical attention and acclaim by many contemporay scholars, filmmakers, and artists who acknowlege Maas' influential contribution to the history of cinematography. Highlights of this collection include: manuscripts of Maas' poetry; documents associated with the production of Maas' film,
Personal and professional correspondence; includes letters from friends, other writers, and groups whose focus is gay life and rights; also includes his outgoing letters on computer disk. Original typescripts of his writings; photographs; magazines with articles he authored; clippings; books written by Preston and others; and proofs.
The Nancy Rubin Stuart papers include notes, drafts, audio tapes, video scripts, correspondence, and printed materials, chiefly relating to her professional activities as a writer of non-fiction books, magazine articles, and television programs, along with a smaller quantity of personal papers. The material dates from 1979 to 2011.