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Formal title:
Global Curatorial Project: Unfinished Conversations oral histories and records
Extent:
18 Terabytes
Date range:
2014-2024
Abstract:
The Global Curatorial Project: Unfinished Conversations series is an archival collection of oral histories gathered as part of the larger Global Curatorial Project which also includes a traveling exhibition using materials from the collection. These files are all related to the documenting, translating, and recording the oral histories of project participants who are connected to the communities they live in and can provide testimonies to living in the modern wake of slavery. This collection is comprised of external hard drives and electronic records documenting the oral histories of participants including formats such as: BRAW, docx, jpeg, mov, mp4, mp3, tif, and wav files.
Repository:
John Hay Library
Collection call no:
Ms.2022.010
Inventory:
File Major, Nina
Scope and Contents In this interview, Nina Major discusses owning a store and the role it plays in a community experiencing violence and economic divestment. Please be advised that this interview may contain stories of trauma, both personal and community-wide related to the legacies of racial slavery and colonialism. It is preserved to document the emotions and experiences of the individual interviewed. Some language in this transcript may be offensive. It is presented as it exists in the original audio recording. The views and opinions expressed by the speaker(s) do not necessarily reflect the views or positions of the Global Curatorial Project, Brown University, the National Museum of African American History and Culture, or the project's institutional partners. For questions or concerns please contact library staff at hay@brown.edu or +1-401-863-2146
2022-2023
File Williams, Chris
Scope and Contents In this interview, Chris Williams discusses his work as the pastor of Yorktown Missionary Baptist Church, environmental racism and his views on freedom. Please be advised that this interview may contain stories of trauma, both personal and community-wide related to the legacies of racial slavery and colonialism. It is preserved to document the emotions and experiences of the individual interviewed. Some language in this transcript may be offensive. It is presented as it exists in the original audio recording. The views and opinions expressed by the speaker(s) do not necessarily reflect the views or positions of the Global Curatorial Project, Brown University, the National Museum of African American History and Culture, or the project's institutional partners. For questions or concerns please contact library staff at hay@brown.edu or +1-401-863-2146
2022-2023
File Wilson, Barja
Scope and Contents In this interview, Barja Wilson discusses her work as executive director of Groundwork Mobile County and her aim to provide the community with water quality and safety information. Her daughter, Destineé Rogers, is in the background of her interviews. Please be advised that this interview may contain stories of trauma, both personal and community-wide related to the legacies of racial slavery and colonialism. It is preserved to document the emotions and experiences of the individual interviewed. Some language in this transcript may be offensive. It is presented as it exists in the original audio recording. The views and opinions expressed by the speaker(s) do not necessarily reflect the views or positions of the Global Curatorial Project, Brown University, the National Museum of African American History and Culture, or the project's institutional partners. For questions or concerns please contact library staff at hay@brown.edu or +1-401-863-2146
2022-2023
File Diboe, James
Scope and Contents In this interview, James Diboe discusses his Pan-African ideology, its understanding of how Anti-Blackness functions today, and his thoughts on racism and Black culture in Liverpool. Please be advised that this interview may contain stories of trauma, both personal and community-wide related to the legacies of racial slavery and colonialism. It is preserved to document the emotions and experiences of the individual interviewed. Some language in this transcript may be offensive. It is presented as it exists in the original audio recording. The views and opinions expressed by the speaker(s) do not necessarily reflect the views or positions of the Global Curatorial Project, Brown University, the National Museum of African American History and Culture, or the project's institutional partners. For questions or concerns please contact library staff at hay@brown.edu or +1-401-863-2146
2022-2024
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