The papers of Russell H. Greenan include correspondence, literary manuscripts, reviews and publicity, personal materials, photographs, financial records, and legal records. The majority of the collection documents Greenan's career as an author.
The John Hay papers consists of Hay's correspondence with his family and with
literary, diplomatic, and political contemporaries; diaries kept by Hay as Lincoln's
White House aide and as Secretary of the Legations in Paris, Vienna, and Madrid,
1866-1870; manuscript poems; galley proofs; personal letterpress copy books;
photographs of Hay, his family, and various political figures; political cartoons;
sound recordings; and a small collection of objects. Subjects include: Civil War;
Lincoln and his administration; Reconstruction; court life in Paris; the bi-metal
monetary standard; the Canadian boundary settlement; the fur seal question; Japanese
naval activity; Chinese-American relations; the Spanish-American and
Philippine-American Wars; British and American politics.
The Nancy Rubin Stuart papers include notes, drafts, audio tapes, video scripts, correspondence, and printed materials, chiefly relating to her professional activities as a writer of non-fiction books, magazine articles, and television programs, along with a smaller quantity of personal papers. The material dates from 1979 to 2011.
The Grolier Club records, 1891-2009, includes papers and materials of the Grolier Club of New York, America's oldest and largest society for bibliophiles and literary enthusiasts. The collection includes manuscripts, correspondence and ephemera related to the organization and its members.
The Manly Wade Wellman papers consist primarily of his fiction and nonfiction manuscripts (originals, carbon copies, and page proofs), personal and professional correspondence, and financial records. Also included are a small collection of manuscripts and correspondence belonging to his wife Frances Wellman.
The Austin Warren papers include correspondence, manuscripts, lecture notes, journals, personal papers and photographs belonging to Austin Warren and his wife Antonia J. Warren. Most of the material is correspondence to and from Austin Warren and manuscripts written by both Austin and Antonia Warren. The papers are dated between circa 1915 and 2003.
The Michael Gizzi papers are comprised predominately of correspondence and writings by Gizzi and by others. There are also printed, graphic, and audio materials. Most of the material dates from 1985 - 1999 and the collection is representative of a broad community of poets and artists.
Includes correspondence, manuscripts, play scripts, film scripts, photographs, drawings, galley proofs, and ephemera of the American poet, experimental filmmaker, editor, and educator Willard Maas, dating from 1931 to 1968. Maas, who was openly bisexual and married to artist and filmmaker Marie Menken, with whom he often collaborated, is especially known for his pioneering avant-garde films, many of which explored homoerotic themes. These films, which were created from the early 1940s to the late 1960s, influenced the work of a number artists from that era, including Kenneth Anger and Andy Warhol; and they continue to garner much critical attention and acclaim by many contemporay scholars, filmmakers, and artists who acknowlege Maas' influential contribution to the history of cinematography. Highlights of this collection include: manuscripts of Maas' poetry; documents associated with the production of Maas' film,
Albert Edgar Lownes collection on Henry David Thoreau
The Lownes collection includes a wide variety of materials by and pertaining to Henry David Thoreau, including correspondence, college papers, journal excerpts, prints, clippings, photographs, and other Thoreauviana collected by Albert E. Lownes. Materials date from 1837-1965.
This collection, although small in scope, contains a significant assortment of documentation, the sum total of which provides substantive information about Gregory Corso’s personal and creative life. It contains working manuscripts and original artwork by Corso, as well as a small collection of correspondence mostly connected to Corso as either sender, recipient or subject. It also contains a small group of books by Corso; over one hundred photographs of Corso and his family and associates; phonograph records and video cassettes by or about Corso and other Beat writers; and a few miscellaneous ephemeral materials. Highlights of the collection include eleven of Corso’s journals containing about 700 pages of hand-written entries in the from of prose, poetry, and scattered drawings, as well as three files of manuscript material, containing approximately 175 pages of a work entitled