Sarah Elizabeth Minchin Barker (also known as Sally Barker) was an actress and director whose career was highlighted by the work with The Players at the Talma Theatre and the Barker Playhouse Theatre. She was active in dramatic events at Pembroke, where she taught theatre. Her husband, Henry Ames Barker, 1861-1929 (Brown class of 1893) was a guiding influence and a director of the Players. He was the son of Mayor Harry Barker of Providence and active himself in the civic and cultural affairs of the city.
This collection contains the photographs, both personal and professional, created and collected by Argentinian filmmaker Fernando Birri during the course of his life and career. This is Subgroup 2 of the Fernando Birri Archive of Multimedia Arts. The other subgroups are Subgroup 1: Escritos, Subgroup 3: Audiovisual and Objects, and Subgroup 4: Pinturas.
Fernando Birri Archive of Multimedia Arts - Pinturas
22.0 Linear feet
This series contains the paintings, drawings, collages, photomontages, posters, and mixed media artworks created and collected by Argentinian filmmaker Fernando Birri during the course of his career. This is Subgroup 4 of the Fernando Birri Archive of Multimedia Arts. The other subgroups are Subgroup 1: Escritos, Subgroup 2: Fotos, and Subgroup 3: Audiovisual and Objects.
The Mary Hamilton letters contain fourteen letters to or about Mary Hamilton, an actress on the British, Canadian and American stage, covering a period of two decades, from 1905 to 1926. Seven letters from George Bernard Shaw are included.
The Rusty Magee papers contain material related to his career as a composer and performer in musical theater, primarily between 1978 and 2002. Much of the material consists of music written by Magee. The papers also include recordings of plays and Magee's performances on audiocassette, compact disc and DVD; scripts, playbills and theater reviews.
The William Paterson Papers, dating from 1919-2003, include photographs, plays in manuscript, an autobiography in manuscript, a pen and ink drawing, clippings, military decorations, acting awards, pamphlets, and other documents. Paterson, a Brown University graduate (Class of 1941) and a World War II veteran, was an actor by profession. He joined the Cleveland Playhouse in 1947 and worked there for the next 20 years. In 1967 he joined the American Conservatory Theatre where he remained for over 30 years. He also occasionally performed in television and film productions.
Blondie Robinson collection of African-American Minstrel and Vaudeville photographs
0.5 Linear feet
1890-1925 (bulk 1915-1925)
A collection of 77 vintage photographs, primarily from the early 20th century, the bulk of which is dated between the years 1915 and 1925, formerly owned by Blondie Robinson, an accomplished African-American vaudeville performer of that era. The heart of this collection is comprised of photographs directly associated with Robinson himself that represent a visual composite of his professional life on stage, both as a solo performer and in collaboration with others. It offers substantive documentation about Robinson's repertoire of stage acts and his versatility as a vaudevillian -- the various characters he portrayed on stage, including blackface caricatures, his comedic sensibility, the sheer physicality of his performances, and the various costumes and props that he used. This collection also contains a significant number of photographs of other vaudeville performers, primarily but not exclusively African American, all of whom were professional associates of Robinson. Also of note in this collection are a few informal photographs of Robinson, alone and with others, some of whom are presumed to be members of Robinson's family and may even include images of his wife and daughter. Last but not least, this collection also includes useful pieces of textual information found on some of the photographs in the form of signatures, inscriptions, photographers marks, and annotations.