The Dave Church papers contain correspondence, notebooks, manuscripts, broadsides, poetry journals, artwork, audio- and videocassettes, representing all aspects of Church's poetry: creation, editing, submission, publication and performance. Also included is a collection of poetry books by other authors, inscribed to Church. Most of the material is from the years 1996-2008 (although some items date from as early as 1957).
1.8 linear feet (1 half document case, 1 flat box)
1710-1999 and undated (bulk 1729-1796)
This collection consists of letters, legal documents, accounts, family histories, and other papers related to the Redwood family and its descendants, particularly Abraham Redwood (1709-1788), the founder of the Redwood Library and Athenaeum.
This collection of papers primarily consists of manuscripts and published articles by Stephen S. Colvin, who was a scholar in the field of educational psychology and intelligence testing. A native Rhode Islander, Colvin graduated from Brown University with a bachelor's degree of philosophy in 1891, and a corresponding master's degree in 1894. He also received a doctorate degree from the University of Strasburg in 1897. He taught at a number of American universities, including Brown University, where he was appointed its first professor of educational psychology in 1912 and subsequently named the director of its School of Education in 1919. This collection also includes a small amount of correspondence, a scattered assortment of other printed materials (not written by Colvin), ephemera, and a few artifacts, including a print of an illustration by Richard Felton Outcault.
The Scott Corbett papers contain a variety of material related to his career as a writer as well as personal memorabilia from his childhood and service in the United States Army during World War II. These papers also include Elizabeth Corbett’s personal and business papers and artwork by the illustrator and author Don Freeman.
This collection, although small in scope, contains a significant assortment of documentation, the sum total of which provides substantive information about Gregory Corso’s personal and creative life. It contains working manuscripts and original artwork by Corso, as well as a small collection of correspondence mostly connected to Corso as either sender, recipient or subject. It also contains a small group of books by Corso; over one hundred photographs of Corso and his family and associates; phonograph records and video cassettes by or about Corso and other Beat writers; and a few miscellaneous ephemeral materials. Highlights of the collection include eleven of Corso’s journals containing about 700 pages of hand-written entries in the from of prose, poetry, and scattered drawings, as well as three files of manuscript material, containing approximately 175 pages of a work entitled
The collection is comprised of manuscripts, correspondence, photographs, clippings relating to the history of writing, the art of calligraphy, Asian Art, and other lifelong interests of Mr. Crawford. Also included are ten calligraphy notebooks.
William A. and Gael Crimmins papers and photos on Monumenta
8.33 linear feet (8 flat boxes (10"x13") and 1 oversize flat box (14"x20"))
1974-2004 (bulk 2004)
This collection contains articles and photographs related to the modern art exhibit held in Newport in 1974. It also contains exhibit photographs and labels related to Re:Monumenta, an event held in 2004 to emphasize the importance of the original exhibit.
Garnett Day and Nancy Sayles Day papers consist of business records, correspondence,
genealogies, photographs and other material from the Day and Sayles families. Much of
the material concerns the Collins-Day South American Expedition of 1914-1915, Lee
Garnett Day’s military career, the Bennett-Day Importing Company, and both Lee Garnett
Day's and Nancy Sayles Day's travels around the world. The collection is dated from 1890
to 1968. Most of the material is dated from 1911 to 1945.